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Sunday, October 11, 2026
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Ballet Luminary Matthew Ball on Grueling Parts and Online Attention: 'I Don't Feel Precious About My Body'

In the hushed atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is effortlessly straight-backed, his limbs defined beneath a plain tee. On stage, ballet dancers can appear like powerful gods, yet often in person they are petite. This is not true for Ball, whose height is part of his popularity for heroic characters and partnering. With fine traits and intense eyes, there's a hint of Robert Pattinson about him.

An Apparent Ascent to the Pinnacle

Now 31, Ball is experiencing the crest of a career that has progressed smoothly. Raised in Liverpool, he faced minimal ridicule for his childhood passion in ballet. Joining the esteemed training institution at 11, he moved straight into the company and was advanced annually, attaining the top rank of principal in 2018. He has relished tackling substantial characters, especially the psychological angst found in Kenneth MacMillan's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

His next featured role is as himself, in an "Evening With" event designed to offer intimate perspectives into a performer's art. He will walk the audience through a part, showing his cognitive process during performance. Yet in more comedic ballets, the test is profound. "Don Quixote is one of the toughest technically," he states.

The Psychological Struggle and After the Show Feelings

What about following a performance, when he has pulled it off? "It's pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get lost in the character, quite often I do feel self-conscious later. After an intense role I'm always like: God, what must people think?"

Offstage, Ball is thoughtful, polite, and quick to laugh at himself. But a dance maker previously remarked on a "kind of suffering in him." Does this exist? "I'm quite active in general, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for good change."

Formative Motivations and Artistic Influences

Ball's tenacity stemmed from early experiences. Not doing well in contests at school made him "vengeful!" This became motivation to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.

An upcoming challenge is making his own choreography. For Ball, "organic movement has value." "Challenging the conventions is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing inspiration from books, music, and art.

Intimate Dance and Personal Partnership

He additionally favors staging dance in more intimate venues. "It was just really exciting," he says of a past experience. "You’re so near to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his partner, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple are not usually paired on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Physical Image

On Instagram, followers can see videos from his dance films and images that showcase a sculpted physique. Does he mind that the response can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He relates it to viewing Michelangelo’s David—an object that can be interpreted on various ways.

Ball describes his early self as "desperate for success." Did it met his hopes? "I am conscious of how life is a separate reality to the dreams you made as a child," he reflects. He probably has about decade of performing ahead. "I suppose in the time to come, I want to be a bit more gentle with myself."

The writer

Dawn Johnson

Periodista musical apasionada con más de una década de experiencia cubriendo la escena indie y mainstream.

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